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At other times, scatological elements appear in stories that are not necessarily meant to be low-brow.
For instance, many serious medieval legends of demons link them to excrement, and the audience of French fabliaux appear to be noblemen and aristocrats rather than bourgeois rabble.
These languages are generally associated with Middle-Eastern and eastern European Indo-European languages and they often have an unvoiced alveopalal sound rather than the palatal SATIRE: An attack on or criticism of any stupidity or vice in the form of scathing humor, or a critique of what the author sees as dangerous religious, political, moral, or social standards.
Satire became an especially popular technique used during the Enlightenment, in which it was believed that an artist could correct folly by using art as a mirror to reflect society.
The metrical pattern is as follows in the first three lines: (foot #1)SAPPHIC ODE: Virtually identical with a Horatian ode, a Sapphic ode consists of quatrains in which the first three lines consist of eleven syllables and the fourth line contains five.
The name comes from the Roman poet Juvenal (60-140 CE), who frequently employed the device, but the label is applied to British writers such as Swift and Pope as well. SCANSION: The act of "scanning" a poem to determine its meter.